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These Apps Help Users of iPhones Find Their Way

Walter S. Mossberg — Thu, 10 Sep 2009 01:20:03 +0000

(See Corrections & Amplifications item below.)

Among its many features, Apple’s iPhone is equipped with GPS and includes manual, written driving directions built into its standard Maps application. But that function doesn’t automatically bring up each turn sequentially, and it lacks voice prompts.

Now, a number of companies have launched, or will soon launch, iPhone apps that do offer voice-prompted, automated, turn-by-turn navigation. Of course, many other cellphones have long offered such services. But the iPhone’s large screen, decent mono speaker and large selection of car mounting kits make it a tempting navigation device.

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I’ve been testing four such apps: from TomTom, Navigon, AT&T (T) and Fullpower. The last, called MotionX GPS Drive, isn’t available in Apple’s app store as I write this. In the case of the Navigon MobileNavigator, which is already available, I tested an updated version expected to hit the store shortly.

TomTom’s iPhone app

One big downside: Because Apple doesn’t allow third-party iPhone apps to run simultaneously with the device’s core functions, any incoming or outgoing phone call will interrupt all these apps during routing. When the call is over, the apps will automatically resume and continue your route. And none of these apps work on the original iPhone, only the 3G and 3GS.

Some of the apps take up a large amount of space on your iPhone, because they store all their maps locally. Others are much slimmer, because they download the apps on the fly, but these require you to have good cellular or Wi-Fi coverage at least at the start of a navigation session.

In my tests, on both local streets and highways, all four apps ate up big chunks of the iPhone’s battery life. So, I recommend that you employ a car charger when running them. Also, they all work much better and more safely if you use a windshield or dashboard mount.

None of the apps stood out as much better than the others at navigation, though they have different styles and features. All include the usual lists of local businesses and other points of interest.

TomTom: The U.S. and Canada navigation app costs $100 and takes up a whopping 1.2 gigabytes of space on your phone. But there is no subscription fee and the maps are always present. Like a stand-alone navigation device, it uses big icons and lettering in its menus. It worked OK in my tests, except that it took a little longer than the others to acquire a GPS satellite signal to accurately situate itself. TomTom’s app doesn’t have live traffic information, doesn’t provide a text summary of your planned route, doesn’t announce street names and doesn’t integrate control of the iPhone’s music player.

Like all of its rivals, TomTom can fetch destinations from addresses in your iPhone contact list. But it didn’t understand a typical Washington, D.C., street name, such as “11th St., NE.” TomTom plans an extra-cost mounting kit that includes a better speaker, a power plug and a GPS receiver more potent than the iPhone’s.

Navigon MobileNavigator: This app costs $90, and it takes up 1.3 GB on the iPhone because it also stores all the maps. There is no recurring fee. I thought Navigon had the cleanest interface and the best 3D map view, including representations of some highway-exit and speed-limit signs. It also barks the word “caution” when you are speeding.

But the Navigon voice was the least distinct, and while it generally did OK, it thought my D.C. test address was a bridge. It also lacks a route summary and live-traffic reports, though the update I tested now announces street names and integrates music control.

MotionX-GPS Drive: Of all the apps, this one looks and works most like a typical iPod app, and least like a navigation program ported from another device. Its main screen has a clever menu arranged in a circle. It’s also fairly small—just 10 megabytes or so. But it must download maps and other info each time you start a route. This also allows it to update the information on the fly. Drive also is potentially the cheapest of the four apps I tested. It will cost $1.99 and include a 30-day free trial. After that, it’s $25 a year.

This app worked well in my tests, and is packed with features, including live traffic, a route summary, and integrated music control. It understood my D.C. test address, but it doesn’t announce street names, and its function buttons are very small and labeled with tiny type.

AT&T Navigator: The iPhone version of this existing service, like Drive, downloads maps and info on the fly, but it takes up even less space on the phone—just 2.3 megabytes. That means you need a good connection at the start of a trip. It worked OK for me. Its interface is clean, and it has a route summary, live traffic and announcement of street names. It also understood my D.C. test address. And it synchronizes saved addresses with a Web site. But it is potentially the priciest. The app itself is free but usage costs $10 a month.

None of these apps is perfect, but each adds a new dimension to the iPhone.

Corrections and Amplifications

An earlier version of this column mistakenly said the Navigon app could synchronize with a web site for trip planning.

Find all of Walt Mossberg’s columns and videos online, free, at the All Things Digital Web site, walt.allthingsd.com. Email him at mossberg@wsj.com.

Shortcovers, Iceberg Put Latest e-Books On Your Cellphone

Walter S. Mossberg — Thu, 15 Jan 2009 02:04:07 +0000

Amazon’s Kindle e-book reader has been a solid success. The device can access a catalog of over 200,000 digital books, including most current best sellers, according to Amazon (AMZN). Its sharp screen, built-in downloading and long battery life have overcome a relatively high price and some poor hardware-design features.

However, most people aren’t likely to carry a Kindle everywhere — it’s too large to fit in a pocket and hogs space in a handbag. Yet they do tote their cellphones everywhere. So, for years, a dedicated minority of folks have been reading books on smart phones and other pocket devices with relatively large screens.

[ See post to watch video ]

In recent months, e-book offerings have especially exploded on the Apple (AAPL) iPhone and iPod Touch, which, like the Kindle, have excellent screens and an easy and well-organized system for directly downloading content. Apple’s App Store, which carries everything from games to business software, has hundreds of e-book offerings (in addition to the audio books available through the iTunes store).

Some of these e-book apps, or programs, constitute just a single book, while others are digital-reading portals that can access anywhere from a handful of e-book titles, like the collected works of Shakespeare or the Sherlock Holmes tales, to many thousands of titles.

Two of the most popular e-book apps for the iPhone and the Touch are Stanza and eReader. They are pretty basic and straightforward, with little in the way of fancy formatting. But they get the job done, allowing you to download tens of thousands of titles from a variety of sources.

But, as with past cellphone or PDA e-book systems, most of those on the iPhone and Touch focus primarily on older, classic, or out-of-copyright titles, rather than on the sort of current, in-demand titles available on the Kindle. Some fresher titles are available, but the selection of popular books is relatively thin.

Now, two companies are launching new e-book apps that aim to bring current and popular titles from major publishers to the iPhone and Touch. And they add interesting features, including fancy formatting and community tools. I’ve been testing both.

One, called Shortcovers, is from the large Canadian bookseller Indigo Books & Music. Due to show up in the App Store in the next few weeks, Shortcovers is a portal to sampling, buying and reading books, and will have a companion Web site. It will allow readers to get free samples of blogs, magazines and books — say, the first chapter — and then buy either the entire work or other individual chapters or sections, which the company calls “shortcovers.”

The second, called Iceberg, is from an iPhone application developer called ScrollMotion. Already available, Iceberg offers each book packaged as an individual stand-alone app, with rich navigation features.

I found that reading books from these two services was OK, but not nearly as satisfying as reading them on a dedicated, large-screen device like the Kindle, which also offers free excerpts. But it was more convenient. I was able to knock off a chapter or a few pages while commuting or waiting in line. The apps use the iPhone’s touch features to allow you to navigate.

Shortcovers is the more ambitious and creative of the two. At launch, it expects to have 200,000 shortcovers — chapters or other free excerpts — available. About 50,000 of these also will be available for purchase as full digital titles; the rest can be ordered as physical books. Of the digital titles, roughly 15,000 to 20,000 will be older or public-domain books, and the rest commercial books. Typical book prices will be between $10 and $20. If you want to buy paid shortcovers — say a chapter of a business or travel book — the typical price will be 99 cents.

The key aim of Shortcovers is to get people to discover new works. So it emphasizes community features such as rating, tagging and sharing. It even allows people to make “mixes” of their favorite works and to upload their own writing. The Shortcovers catalog is a riotous mix of classics like “The Three Musketeers,” current titles like Malcolm Gladwell’s “Outliers,” and blog posts and magazine articles.

Iceberg’s claim to fame is its handsome appearance. It has just 14 titles available now, including the “Eragon” fantasy trilogy, and each must be downloaded as a separate app, which risks cluttering your iPhone with icons. The company is promising thousands of titles eventually, and has signed deals with major publishers. Prices hover around $10 or $11, but range to $27.

Books by Iceberg try to preserve the formatting and pagination of the printed title, and stress easy skimming to any page, searching and annotating. Pages are tinted and flip with a visual effect that apes a physical page-turn.

But there are missing features in both. Iceberg doesn’t allow bookmarking and Shortcovers lacks annotation. Neither app allows highlighting, or looking up words.

The iPhone isn’t primarily an e-book reader, and these new apps still can’t match Kindle’s full catalog. But they add yet another dimension to a very versatile gadget.

Find all of Walt Mossberg’s columns and videos online, free, at the All Things Digital Web site, walt.allthingsd.com. Email him at mossberg@wsj.com.

Apple's iPod Touch Can Act as Remote For Music System

Nick Wingfield — Thu, 28 Aug 2008 01:34:02 +0000

One of the first things I did eight years ago after converting my CD collection to MP3 files on my personal computer was to snake a cable from the PC to my stereo system in another room. The setup gave me the pleasure of piping music throughout my home.

But every time I wanted to change songs, I had to go to another room and make a few mouse clicks on my computer. Ever since then, I’ve been waiting for someone to come up with a good, affordable remote control that lets me change tunes no matter where I am in the house.

Apple’s Remote program

It turns out, I already owned that device. It’s an iPod touch. A new program released by Apple (AAPL) in July was all it took to convert my MP3 player into a sophisticated remote control for my digital-music collection. That program, called simply Remote, runs on the iPhone as well as on the iPod touch, a version of the Apple MP3 player that has an iPhone-like touch-sensing screen and Internet-access capabilities using Wi-Fi wireless technology. Remote is available free of charge on the online App Store that Apple has used since July to distribute software for those devices.

In essence, Remote is a remote control for all music stored on a Mac or Windows PC that’s loaded into iTunes, Apple’s music jukebox software. It allows you to jump between playlists, browse artists and pump up the volume. For the program to work, you need to buy into using other Apple entertainment products.

In the simplest setup, Remote lets you control the music from stereo speakers connected directly to a PC. But it’s most useful when you use a PC to deliver audio to additional speakers around a home — say, a pair on the patio and in the living room.

Apple sells a couple of products that receive audio signals from a PC running iTunes. Both work wirelessly over a Wi-Fi home network so you don’t need to put holes into your walls to run computer and speaker wires. I tested Remote using both. One is an Apple TV, a $229 set-top box in my living room that plays digital audio and video through a standard home-theater system. The other is an AirPort Express, a $99 Apple wireless networking device on my patio connected to a pair of powered A5 speakers made by Audioengine, of San Jose, Calif. A third set of speakers was connected to an iMac in the kitchen, where I store all of my digital music. (The least expensive iPod touch costs $299.)

It was a breeze to configure the Apple TV and AirPort Express to show up as remote speakers in iTunes on my computer. Setting up Remote to give me mobile control over this array of speakers was trickier. After installing the program on my iPod touch, I couldn’t get it to work with iTunes on my PC. After 20 minutes of fiddling with the security settings for my Wi-Fi base station, iTunes finally recognized Remote. I was in business.

We all know how confusing the remote controls for TV sets and stereo systems can be. Remote, by contrast, cleanly displays all the music on my PC on the color screen of my iPod touch.

The program let me flip through artists, albums and playlists with simple finger swipes. But I was sorry that Remote doesn’t have a feature in the iPod touch called cover flow that lets users browse their music libraries by flipping through album-cover art. Apple says it may offer the feature in the future.

The software also let me easily turn on and off the music from my speakers in my kitchen, living room and patio. I could have all the speakers on at once — good for a party. The sound was terrific. The crisp-sounding $349 Audioengine speakers don’t require a stereo receiver.

Because Remote uses Wi-Fi to communicate with iTunes, I could control music anywhere around my house and backyard, which are small enough to be fully covered with a signal from my Wi-Fi base station. That’s a big plus over conventional remote controls that use infrared, a technology that doesn’t work through walls.

One drawback: The battery in my iPod touch drained overnight when I configured the device to stay connected to iTunes, a feature that increases software responsiveness. Changing the setting let me go days without recharging my iPod touch, but it meant I had to wait a couple of seconds for Remote to connect to iTunes when I started up the software — an acceptable trade-off.

Another multiroom audio product with a good remote control is the ZonePlayer from Sonos, an equipment maker based in Santa Barbara, Calif. That system has some advantages over Apple’s offerings, including the ability to access tunes from online music services, such as Pandora and Rhapsody, and separate volume controls for each set of speakers.

The Sonos system starts at $999 for a remote control and wireless receivers, without speakers, that can deliver music to two rooms.

For people who already own an iPod touch or iPhone, Remote is a good reason to buy an AirPort Express, and fill your home with music.

Walter S. Mossberg is on vacation.

Email Nick.Wingfield@wsj.com.