Linux on netbooks isn’t going away though. In fact, software and hardware companies have been making big investments to improve Linux netbooks. For the past week, I’ve been using several flavors of Linux running on netbooks — Ubuntu, Hewlett-Packard’s Mi (which is based on Ubuntu) and Moblin, created largely by Intel and not yet available commercially. In all cases, the Linux netbooks failed at some basic functions that any laptop, no matter how tiny and inexpensive, should be able to handle, like working with printers. At the same time, Mi and Moblin have impressive graphical user interfaces well-suited to the habits of typical netbook users, like checking email and accessing social-networking sites, as well as the small screens and low horsepower of tiny laptops. In addition to Linux, all of the computers shared the standard features, or lack thereof, common among netbooks, including compact keyboards and no DVD drives.

H-P’s Mini 110 Mi Edition

The most polished of the products was H-P’s Mini 110 Mi Edition, a new model with a 10.1-inch screen that H-P will begin selling on its Web site for $279.99 on June 10. That’s nearly $50 less than what H-P will charge for the Mini 110 running Windows XP, which will come with a 160-gigabyte hard drive instead of the 8-gigabyte solid-state drive that will come with the Mi edition.

The striking thing about this netbook is the slick graphical user interface created by H-P that runs on top of Ubuntu and first began appearing on H-P netbooks early this year. Instead of a traditional desktop like that found in Windows and the Mac, Mi (pronounced “me”) arranges commonly used applications and content on a screen called the “dashboard,” which looks like a personalized Web page and lists recently received emails, fresh thumbnail images of favorite Web sites, and a Web-search toolbar.

The Mi home screen is a clever way to make the computer seem alive with on- and off-line content, which is fitting since netbooks are designed for on-the-go Internet activities. It’s also tailor-made for the small screen size of netbooks.

A more eye-catching iteration of Linux is Moblin, which I tried out in test form on an Acer netbook; it is expected to ship on netbooks by the end of the year. Moblin has a menu of icons at the top of the screen, the most interesting of which leads to the M-Zone, a home screen that displays calendar appointments and favorite applications alongside snapshots of recently visited sites and a continuous feed from the user’s Twitter network.

An icon called “People” leads to a list of instant-messaging buddies, while another, called “Zones,” let me organize all the applications I had launched into different virtual workspaces, which is useful for hopping between various tasks on a small-screen device like a netbook.

The look and feel of the standard Ubuntu system, without the Mi interface, is more commonplace. I tried out a Dell Mini 10 with a 10.1-inch display and 160-gigabyte hard drive that sells for $349 on Dell’s Web site. The Mini 10 ships with version 8.04 of Ubuntu, which resembles Windows XP, with its desktop, taskbar and pop-up menu system. Ubuntu, in some cases, seemed to overestimate the size of the Dell Mini’s display: A window for configuring wireless-networking capabilities was so large it bled off the screen, and I couldn’t access all the buttons on it. I also installed on the Dell a new version of Ubuntu Netbook Remix, which works better on small screens. Since a Windows XP version of the Dell Mini 10 sells for the same price as the Ubuntu, I can’t see a compelling reason to choose the Ubuntu option.

All the netbooks I tried had compatibility problems with other external devices. The netbooks couldn’t load the software drivers to let me print to my Canon and Dell printers. I couldn’t load pictures over a USB cable from my Canon PowerShot SD750 digital camera. I was able to get my pictures on the machines by plugging a storage card from my camera directly into the netbooks.

Canonical, the London company that oversees development work on Ubuntu, says it is improving the system’s compatibility with various devices. Intel says it is unfair to judge Moblin until it is commercially available.

Some key applications currently don’t run on Linux, like Apple’s iTunes, which makes it difficult to load music files onto iPods from the netbooks. While the Linux laptops didn’t run Microsoft Office, they came with OpenOffice, a free package of word-processing, spreadsheet and presentation applications that allowed me to open and modify basic Word and Excel files.

The companies behind Linux netbooks have made great strides in improving user interfaces, but until they can achieve similar breakthroughs in how the machines work with other devices, Windows netbooks are still a better deal.

• Email nick.wingfield@wsj.com. Walter S. Mossberg is away and will return next Thursday.

While these location-sharing services have some interesting possibilities, they also raise some disturbing implications for privacy — or maybe it just seems that way if, like me, you’re over 35 years old. Lately I’ve been testing a cellphone location-sharing service that I found simple, useful and non-creepy enough that I can imagine people thirtysomething and older using it.

Send a ‘Glympse’ to share your location

The free service is called Glympse, from a company of the same name that has designed it to share your location with friends and colleagues in small increments of time — glimpses, as the name implies, of your whereabouts. Glympse just released a test version of the service as an application for the G1, a phone offered by T-Mobile that runs Google’s (GOOG) Android operating system.

The company will release versions of Glympse for BlackBerry, Windows Mobile, iPhone and Nokia (NOK) phones in the coming weeks. Users can download the Glympse software onto G1 phones through Android Market, the online clearinghouse for applications for Android phones.

I used Glympse on an iPhone and a G1 and, for comparison, tried out a couple of other location-sharing applications, Google Latitude and Loopt. When you start the Glympse application, it identifies where you are on a map using a combination of location technologies in cellphones, including GPS satellites, Wi-Fi hot spots and phone towers.

Your location isn’t shared with others until you “send a Glympse” to someone. The software allowed me to send a Glympse with my location for selected chunks of time lasting anywhere from zero minutes to four hours. Picking zero minutes shared only my location at the moment of sending, while selecting four hours meant the recipients of my Glympse could track me for that period of time, wherever I went.

The sender of a Glympse can address it by entering a recipient’s email address, or a mobile-phone number for a text message. Recipients get a message with a link to a map on a Web page. A nice thing about the service is that it doesn’t require recipients to have the Glympse software, though the experience is richer when they do.

Sending a Glympse can be helpful anytime a friend, family member or colleague is expecting you. You can send a Glympse that lets a friend know you’re stuck in heavy traffic (although it’s wise to do that before you’re on the road to stay safe and, in some states, to avoid breaking the law). Parents can insist that teens send a Glympse when they go out for the evening.

Bryan Trussel, the CEO of Glympse, sent me several Glympses with short messages like “late lunch meeting” and “headed home” to explain where he was going. On the G1, I could see an icon representing Mr. Trussel moving around a map as he drove through the streets of Redmond, Wash., including his speed. I was also able to see traffic conditions, which would have been helpful if he had been running late. Glympse gave me a similar view of his location through a Web browser running on my PC. On the iPhone, the experience was more static, forcing me to reload a Web page to get a fresh view of Mr. Trussel’s whereabouts. Glympse says it will fix this so users of the iPhone can watch someone’s location in real time.

I encountered a bug with the service when I sent a couple Glympses to my own cellphone and that of a colleague — both BlackBerrys and neither of which had Glympse software. Both Glympses linked to high-level maps suggesting I was somewhere in North America, which wasn’t very helpful, even if it was technically accurate. The company couldn’t figure out what the problem was, and it eventually stopped happening for me too.

Once a Glympse expires, the service no longer tracks the sender’s location. It will show the sender’s last known location for 48 hours after the Glympse expires. Glympse may some day use your location information to target advertising to you, but the company isn’t doing that for now.

I’m far more comfortable with this form of finite location-sharing than the approach used by other services. Google Latitude lets you share your location to only a list of friends. It gives you the option of turning location sharing off or, through a “city level” option, it reveals only your general whereabouts. Loopt similarly allows you to set options to show, or hide your location from all or some online friends. A feature called Loopt Mix lists strangers you can send messages to in your general vicinity — many of whom seemed to be looking for romantic partners in my area.

Despite these controls, I easily forgot I was sharing my location with these two services. This might be fine for someone who enjoys being tracked down by friends during a night out on the town or is diligent about changing privacy settings when they want to go stealth.

I’m too lazy to manage my privacy so closely though. I don’t mind giving friends a look at my location, but only if I know the invitation isn’t open-ended.

• Email nick.wingfield@wsj.com.

But keeping those types of digital-photo frames up-to-date with new pictures demands more technical skill than many parents and grandparents are likely to have. It requires, for example, rudimentary knowledge of how to configure a home Wi-Fi network or shuttle storage cards between a frame and a digital camera. Still, digital frames are a great way to keep generations in touch with, say, a far-flung child’s latest ballet recital or a football game.

Just in time for the holidays, the wireless carrier T-Mobile is selling a digital-photo frame that makes it easy to set up and to keep fresh. While I found the Cameo excels in its simplicity, it comes with a number of annoying drawbacks and a pricing model that will limit its appeal. It sells for a reasonable $99.99 in T-Mobile stores, but carries a hefty $9.99 monthly fee.

Still, Cameo is an exciting first edition of a product.

First, its strengths. The picture frame is as easy to operate as a cellphone, containing some of the same technical innards of a wireless handset. And each Cameo has a unique phone number, just like a cellphone, that lets anyone who knows the number to “dial” it up — sending messages containing digital photographs instead of voice calls.

Setting up Cameo is as easy as taking it out of a box, screwing a stick into the back to prop up the frame and plugging it into an electrical outlet. The Cameo has a seven-inch color display and one of the more attractive borders I’ve seen on a digital photo frame: imitation black leather with white stitching.

Users themselves can manually load images onto the frame from a PC by connecting it through a USB cable or by inserting a miniature storage card from a digital camera.

Cameo can receive pictures wirelessly two ways. The owner of the frame hands out the Cameo’s phone number to friends and family members, who then send pictures to the frame that were taken with the cameras standard on most modern cellphones. This method uses MMS, or multimedia messaging service, a communications standard normally used to share pictures and other media between cellphones.

Cameo owners also can give out an email address for their picture frames that is based on their Cameo’s phone number, allowing people to email images that they’ve downloaded to their computers from digital cameras.

The first time the frame receives a picture from an email address or phone number, Cameo asks the frame owner to push a button on the back of the frame to place the sender on an approved list. After that, all images from the approved source appear automatically on the frame — a method that at least keeps random people’s photos from popping up in grandma’s living room.

There’s a wonderful unpredictability to how Cameo works. Imagine all of the kids and grandkids in a sprawling family room in different locations being able to send snapshots to each other. This is possible now with photo-sharing sites like Flickr, but those typically require going to a Web site. Images on a Cameo just show up without warning on your kitchen countertop, living room or office desk.

I handed out my Cameo number to some colleagues and was delighted when their cameraphone pictures began trickling into my frame, including a shot of the New York neighborhood in which one of them lives, and an image of another colleague ice skating.

The Cameo’s screen, featuring 720×480 pixels, isn’t the highest-resolution digital photo frame on the market, but the pictures looked fine to me. You can do a slide show for any number of images, chose a fade-out or other transition, change the order of the photos and alter the display speed — holding a single image for up to an hour.

Unfortunately, the frame has a skimpy 64 megabytes of memory, and storage capacity isn’t expandable. There is enough room for only about 200 photos at maximum size. Once it’s full, you have to make room by manually deleting photos.

Another problem is that the frame currently is available only to existing T-Mobile cellular subscribers.

By far, the biggest turnoff is the monthly fee for the cellular service that delivers the pictures to the frame. There’s no limit on how many pictures can be sent to a Cameo under T-Mobile’s cellular plan, but $120 a year is a steep price.

The carrier says it will consider other pricing options in the future. Until it does, it’s going to be tough for most people to buy the Cameo, even for a beloved family member.

Walt Mossberg is on vacation.

Write to Nick Wingfield at nick.wingfield@wsj.com

That is changing. A new miniature-chip technology from Texas Instruments (TXN) called pico is making digital projectors truly portable, instead of merely luggable. For the past couple of weeks, I’ve been using two of the first pico-based projectors on the market, Dell’s M109S and Optoma’s Pico PK-101.

The products are designed for different customers with different needs. Dell (DELL) positions the 13-ounce M109S as a notebook companion, best suited for work presentations. The four-ounce Optoma projector is designed more as an iPod or digital-camera accessory for watching movies and slide shows on the go.

The Dell M109S

Their portability requires compromises, most obviously in brightness and image resolution. The Dell and Optoma projectors, respectively, support 11 and 50 lumens — a standard measure of projector brightness. That’s far dimmer than top-notch projectors that offer several thousand lumens. So neither product excels in well-lighted rooms, where overhead and ambient lighting overpower their images. You can compensate somewhat for this weakness by placing the devices closer to the surfaces onto which they’re projecting — for example, a wall. But the darker the room you use, the better.

At about the size of a candy bar, the $399 Optoma device is the smaller of the two projectors and the one with the most intriguing possibilities for expanding the tiny screen sizes of mobile devices like the iPod.

It’s powered by a rechargeable battery that Optoma says lasts for an hour on full brightness or two hours on a power-saving setting (the projector comes with two batteries). The projector has a tiny speaker, but people who want decent sound will need to use headphones or external speakers.

In theory, the Optoma device is small enough to bring along on a camping trip to show a film on the side of a tent, or to a restaurant, where you could inflict a vacation slide show on dinner mates by projecting onto a napkin or tablecloth.

I tested it on a recent airplane flight by projecting an episode of “Mad Men” from an iPod touch onto the back of the seat in front of me. The seat was a dark blue with embossing on it, so it didn’t work very well. It’s best to project onto an unmarked, light-colored surface. The quality of the image was better when I lay in bed one night, projecting a video onto a white ceiling.

Even under the most favorable circumstances, however, I found the images from the Optoma projector very dark, muddling the outlines of characters and action on screen. Although Optoma says you can get up to a 60-inch image from the projector, 45 inches was about as big as I could make the image before it got too fuzzy.

Optoma says the projector will ship with an iPod-compatible connector cable when it goes on sale in the U.S. on Dec. 15, though the unit I tested didn’t come with one. I connected the device to my iPod touch using a $50 cable from Apple (AAPL).

Compared with the Optoma device, the $449 Dell M109S is a behemoth, yet it’s still only about the size of a short stack of drink coasters. Most projectors weigh at least a few pounds, if not more, which is big enough to make them a hassle to carry around. I barely noticed the Dell projector inside my laptop bag.

Unlike the Optoma projector, the Dell M109S has to be plugged into an electrical outlet to work. It comes with an unsightly set of connectors for plugging the projector into a video source, such as the VGA port found on most laptops and a composite video plug that is standard on DVD players. I was, however, able to plug my iPod touch into the Dell projector using the $50 Apple cable.

And unlike the Optoma, the Dell doesn’t have speakers. To get sound for a movie, you’ll need headphones or speakers, like those on a laptop.

Despite its extra bulk, the Dell M109S literally outshines the Optoma projector. It produces a bright image that I found very watchable, even if it wasn’t high-definition. I projected the movie “James and the Giant Peach” onto an interior wall of my house, creating an image that was about 7 feet, measured diagonally.

The Dell M109S includes a capability called keystone correction, a standard feature in most projectors that adjusts a projected image to give it the proper dimensions, rather than the trapezoidal shape that results when a projector is angled upward. The Optoma projector doesn’t have this feature. To get a normal rectangular movie image, I had to hold the projector level, toward the projection surface.

For business travelers who do presentations or for people who want to create a theater-like experience in a hotel room, vacation house or against a sheet in the backyard, the Dell projector would be a good fit. For now, the Optoma projector is a good idea that needs refinement.

• Email Nick.Wingfield@wsj.com. Walt Mossberg is on vacation.

People today use the Netflix service on their computers, but Netflix (NFLX) has cut a series of deals with hardware partners to make the service available on TV sets through an array of devices.

Most of these devices were designed to do other things: a videogame console, high-definition Blu-ray disc players, a TiVo (TIVO) digital video recorder. So to see how well the service works on these devices, I’ve spent the past couple of weeks comparing the Netflix experience on Microsoft’s (MSFT) Xbox 360 game console, on LG Electronics’ BD300 Blu-ray disc player and on a set-top box from Roku called the Netflix Player. The last, as the name implies, is designed mainly for Netflix service.

The devices suffer from a relatively skimpy selection of videos on the Netflix Internet service. Netflix has more than 100,000 titles for rent on disc, but about 12,000 titles for viewing through its Internet service at the moment, and there’s often a months-long delay after a movie’s release before it shows up online. Television shows generally turn up more quickly, with a handful, like NBC’s “Heroes,” watchable the day after they air.

Still, I find the Netflix service very appealing, especially for catching up on episodes of TV series, such as “30 Rock,” that I missed when they aired. Unlike the iTunes Store and other sites that charge users $1.99 per TV episode and $3.99 to rent a movie online, the Netflix Internet service is free to subscribers to its DVD service on one of the company’s “unlimited” rental plans, which start at $8.99 a month.

Depending on how fast your Internet connection is, Netflix videos begin playing almost instantly, though you can’t keep permanent copies.

Connecting the devices to Netflix through my wired home network was easy in all three cases. I used a wireless home network — more common in homes than the wired variety — with the Roku device, the only one of three products that comes with built-in Wi-Fi (it worked well in this mode). People who want to use the Xbox 360 with a wireless network will have to spend $70 or so on an external Wi-Fi adapter. LG recommends people use only a wired home network to connect to Netflix from its player, including adapter kits that cost about $100 for transmitting data over home power lines.

All the devices require you to create a list of movies you want to watch from a computer, just like Netflix subscribers set up “queues” of DVDs to be delivered by mail. The Xbox 360 offered by far the most elegant-looking interface for browsing through videos in my Netflix queue, letting me glide through a long row of cover art representing the movies and TV shows I selected on my PC.

In contrast, the Netflix menu on the LG Blu-ray player and Roku device were more static, making it more awkward to navigate the expanse of titles. Netflix became available on the Xbox 360 in November as part of a more sweeping software upgrade, delivered over the Internet, that remade the graphical look of the system.

The quality of most of the videos on Netflix is, to my eyes, about DVD quality, though Netflix is adding some titles in high-definition to its Internet library. HD titles were available for viewing only through the Xbox 360 when I was testing the service. Roku and LG say they will make software updates available online this month that add HD support to their devices.

The Xbox 360 also has some annoying quirks when using it as a movie player — including a noisy fan I found distracting. The game controller that comes with the Xbox 360 is clunky for playing movies, so users will need to invest in an inexpensive additional remote-control design for media. The Roku and LG players, in contrast, were totally silent and had acceptable remote controls for watching Netflix videos.

I experienced the most serious glitches with the LG Blu-ray player, which occasionally dropped the video signal to my television set as I was watching a movie. LG says the loss of video signal could have been due to the connection I used to hook the player to my TV, though I’ve never had a problem with other devices using the same connection. The LG Blu-ray player also took the longest of all the devices to install software upgrades from the Internet.

While there are some differences in the Netflix experience on the Roku device, Xbox 360 and LG Blu-ray player, none of them is so great that they should trump other considerations — like a desire to play videogames or watch HD Blu-ray movies — in deciding which system is the best fit.

The LG Blu-ray player is available online for about $300. The cheapest Xbox 360 model is $199. (To get Netflix through the Xbox 360, users must be “gold” members to the $49.99-a-year Xbox Live game service.) But if what you’re after is primarily Netflix movies, and you’ve got room near your TV for another box, the $99.99 Roku product is the best value.

Walt Mossberg is on vacation.

Write to Nick Wingfield at nick.wingfield@wsj.com

But every time I wanted to change songs, I had to go to another room and make a few mouse clicks on my computer. Ever since then, I’ve been waiting for someone to come up with a good, affordable remote control that lets me change tunes no matter where I am in the house.

Apple’s Remote program

It turns out, I already owned that device. It’s an iPod touch. A new program released by Apple (AAPL) in July was all it took to convert my MP3 player into a sophisticated remote control for my digital-music collection. That program, called simply Remote, runs on the iPhone as well as on the iPod touch, a version of the Apple MP3 player that has an iPhone-like touch-sensing screen and Internet-access capabilities using Wi-Fi wireless technology. Remote is available free of charge on the online App Store that Apple has used since July to distribute software for those devices.

In essence, Remote is a remote control for all music stored on a Mac or Windows PC that’s loaded into iTunes, Apple’s music jukebox software. It allows you to jump between playlists, browse artists and pump up the volume. For the program to work, you need to buy into using other Apple entertainment products.

In the simplest setup, Remote lets you control the music from stereo speakers connected directly to a PC. But it’s most useful when you use a PC to deliver audio to additional speakers around a home — say, a pair on the patio and in the living room.

Apple sells a couple of products that receive audio signals from a PC running iTunes. Both work wirelessly over a Wi-Fi home network so you don’t need to put holes into your walls to run computer and speaker wires. I tested Remote using both. One is an Apple TV, a $229 set-top box in my living room that plays digital audio and video through a standard home-theater system. The other is an AirPort Express, a $99 Apple wireless networking device on my patio connected to a pair of powered A5 speakers made by Audioengine, of San Jose, Calif. A third set of speakers was connected to an iMac in the kitchen, where I store all of my digital music. (The least expensive iPod touch costs $299.)

It was a breeze to configure the Apple TV and AirPort Express to show up as remote speakers in iTunes on my computer. Setting up Remote to give me mobile control over this array of speakers was trickier. After installing the program on my iPod touch, I couldn’t get it to work with iTunes on my PC. After 20 minutes of fiddling with the security settings for my Wi-Fi base station, iTunes finally recognized Remote. I was in business.

We all know how confusing the remote controls for TV sets and stereo systems can be. Remote, by contrast, cleanly displays all the music on my PC on the color screen of my iPod touch.

The program let me flip through artists, albums and playlists with simple finger swipes. But I was sorry that Remote doesn’t have a feature in the iPod touch called cover flow that lets users browse their music libraries by flipping through album-cover art. Apple says it may offer the feature in the future.

The software also let me easily turn on and off the music from my speakers in my kitchen, living room and patio. I could have all the speakers on at once — good for a party. The sound was terrific. The crisp-sounding $349 Audioengine speakers don’t require a stereo receiver.

Because Remote uses Wi-Fi to communicate with iTunes, I could control music anywhere around my house and backyard, which are small enough to be fully covered with a signal from my Wi-Fi base station. That’s a big plus over conventional remote controls that use infrared, a technology that doesn’t work through walls.

One drawback: The battery in my iPod touch drained overnight when I configured the device to stay connected to iTunes, a feature that increases software responsiveness. Changing the setting let me go days without recharging my iPod touch, but it meant I had to wait a couple of seconds for Remote to connect to iTunes when I started up the software — an acceptable trade-off.

Another multiroom audio product with a good remote control is the ZonePlayer from Sonos, an equipment maker based in Santa Barbara, Calif. That system has some advantages over Apple’s offerings, including the ability to access tunes from online music services, such as Pandora and Rhapsody, and separate volume controls for each set of speakers.

The Sonos system starts at $999 for a remote control and wireless receivers, without speakers, that can deliver music to two rooms.

For people who already own an iPod touch or iPhone, Remote is a good reason to buy an AirPort Express, and fill your home with music.

Walter S. Mossberg is on vacation.

• Email Nick.Wingfield@wsj.com.

Forget next month. It’s more fun thinking about what digital toys Apple might be making in five years. Of course, Mr. Jobs’s penchant for secrecy means such predictions are often little more than daydreaming. Just do an Internet search for “Apple” and “mockup” to see photos of products invented by Apple fans.

Forrester Research (FORR) is the latest to look into the crystal ball in a new report that imagines the Apple products of 2013. But rather than predict Apple jet packs or other outlandish new directions, the research firm uses the company’s recent history as a guide to forecasting.

Forrester’s conclusion: While much of Apple’s great successes have been mobile products such as the iPod and the iPhone, the company will seek to colonize rooms throughout the home.

Among the new products Forrester predicts Apple will create are wall-mountable digital picture frames with small high-definition screens and speakers that wirelessly play media, including photos, videos and music, stored on a computer elsewhere in the home. Such products already exist, but Apple could put its own twist on them — for example, by adding its design panache and a touch-sensitive screen that lets viewers flip from image to image with a finger swipe, a la the iPhone.

For the bedroom, Forrester envisions an Apple “clock radio” that pipes in music and other media across a home network. Possible, too, is an “AppleSound” universal remote control, also with a touch-sensitive screen, that lets users browse their music collections and change the songs playing through their stereo as they stroll around the house. This latter technology is already available in primitive form through an application called Signal (www.alloysoft.com) that turns the iPod touch and the iPhone into remote controls for Apple’s iTunes program.

Forrester also thinks Apple could extend into the home the technical assistance currently offered by “Genius Bar” personnel in Apple retail stores. Apple in-home installation services will become especially important as its array of products for the home grows. “The complexity level here can be quite daunting if you have five or six of these different devices,” says J.P. Gownder, one of the Forrester analysts who wrote the report.

An Apple spokeswoman declined to comment on the company’s product plans.

Apple prognosticating is such a popular pastime, in part, because Mr. Jobs has proved so adept at becoming a power broker in markets a Silicon Valley computer company — once known as Apple Computer — has no right to dominate. The iPod remains the top MP3 player, with more than 70% of the market, and Apple is now the top retailer of music in the nation, ahead of Wal-Mart (WMT) Stores. Less than a year after entering the cellphone business with the iPhone, Apple became the second-largest provider of smart phones in the U.S.

That said, the company had an underwhelming foray into the living room with a television set-top device called Apple TV that plays music, photos and movies downloaded from the Internet and PCs on a home network. In an interview earlier this year after dropping the price on the product by $70 to $229, Mr. Jobs said he was disappointed in its sales.

Despite the hiccups, veteran observers of Apple say Mr. Jobs’s intent is clear. “I see everything Steve is doing as positioning himself to take over completely the living room,” says John Seely Brown, a visiting scholar at the University of Southern California and the former director of Xerox’s PARC, the Palo Alto, Calif., research center that inspired some of the innovations of the original Macintosh.

One long-running prediction, proved wrong again and again: that Apple might make a television set. Forrester throws cold water on the idea. Yet some still believe that Apple will one day get into the business as conventional TV makers start to integrate into their sets the ability to surf the Web. Apple already designs computer displays that are as large as some HDTVs.

Steve Wozniak, the co-founder of Apple with Mr. Jobs, says it would make “a lot of sense” for Apple to do a television set that can also access media stored on the Internet and local PCs. “I only started thinking that way recently,” Mr. Wozniak says. “Apple is obviously in the world of delivering display devices already.”

Mr. Brown thinks Apple could simplify the traditional functions on TV sets, like the bewildering electronic programming guides that list the hundreds of channels available to viewers. “Most people find operating high-quality TV systems incredibly awkward,” he says. “They’re as bad as our computer systems.”

• Send comments to Nick.Wingfield@wsj.com. Walter S. Mossberg will return on June 5.